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Alexandra Burke takes centre stage as she portrays the legendary singer Chaka Khan in ‘I’m Every Woman: The Musical,’ marking her theatre debut in a production celebrating Khan’s iconic career and personal story, opening in London in March 2026.

The full cast has been announced for “I’m Every Woman: The Musical,” a new stage production celebrating the life and career of legendary singer Chaka Khan. Marking a significant moment in her career, Alexandra Burke will star as Chaka Khan, marking her first time originating a role in musical theatre. Burke revealed that nearly 17 years ago, she auditioned with a Chaka Khan song for her first non-televised audition on The X Factor, accompanied by her late mother. Reflecting on her journey, she expressed deep gratitude and emotional connection to the role, dedicating her upcoming performances to her mother’s memory.

The musical aims to reveal the woman behind the diva persona, chronicling Khan’s rise to stardom and exploring the complexities of her life, including her activism, struggles with addiction, and the challenges of motherhood. The production will feature some of Khan’s most iconic songs both from her solo career and her time with Rufus, including hits like “I Feel For You,” “Tell Me Something Good,” “Ain’t Nobody,” “Sweet Thing,” “Higher Love,” and “Through the Fire.” Other characters in the show include depictions of famous friends and contemporaries from the music world.

Joining Burke in the cast is Jordan Frazier, who will serve as the alternate Chaka Khan, along with a diverse ensemble featuring Paige Peddie, Chanice Alexander-Burnett, Charlotte St Croix, Maryla Abraham, Chrissie Bhima, Sophie Earl, Duane-Lamonte O’Garro, Miles Anthony Daley, Teddy Wills, Chris Breistein, and Oliver Jacobson. The ensemble also includes Samuel Sarpong-Broni, Kayleigh Stephenson, Peter Houston, Earl Gregory, Vanessa Dumatey, Gregory Armand, Harry Robinson, Zinzilé Tshuma, Oskarina O’Sullivan, and Tarik Frimpong, who also serves as the resident choreographer.

The creative vision for the musical is steered by director Racky Plews, with choreography by Ebony Clarke and musical supervision by Mark Crossland. The production design team includes set designer Sara Perks, sound designer Chris Whybrow, and costume designer Natalie Pryce, with wigs, hair, and makeup designed by JJ Wigs. Casting duties were led by Debbie O’Brien, and associate direction by Oliver Lidert contributes further artistic input. The show is produced by Adrian Grant Productions in association with Chaka Khan, alongside co-producers Willette Klausner Murphy for WMK Productions, Tammy Michelle, Mahben Quddus, and Dave Lumby.

“I’m Every Woman” is scheduled for a limited engagement at the Peacock Theatre in London from 5 to 28 March 2026, with an official opening night on 11 March 2026. The role of Chaka Khan will be performed by Jordan Frazier on two specific dates, 18 and 25 March. The production is recommended for audiences aged 14 and over and offers a 2-hour and 20-minute runtime, including a 20-minute intermission. Accessibility is a priority, with dedicated performances featuring a Touch Tour, Audio Description on 14 March 2026, and Captioned performance on the final show date, 28 March.

Audience participation is carefully managed to maintain the integrity of the show, with photography, video, and sound recording prohibited during performances, and requests for the audience to refrain from singing along until the encore.

Tickets for this world premiere production were announced to go on sale at 10 am on 19 May 2025, with availability through official channels such as Ticketmaster. The musical promises to deliver a deeply human portrait of Chaka Khan, highlighting not only her musical triumphs but also the resilience and depth of the woman behind the music, making it a highly anticipated event in London’s theatre scene.

📌 Reference Map:

  • Paragraph 1 – [1] Whatsonstage, [6] London Theatre Direct
  • Paragraph 2 – [4] I’m Every Woman official website, [1] Whatsonstage
  • Paragraph 3 – [1] Whatsonstage, [3] I’m Every Woman Creatives page
  • Paragraph 4 – [1] Whatsonstage, [3] I’m Every Woman Creatives page
  • Paragraph 5 – [1] Whatsonstage, [2] I’m Every Woman FAQ
  • Paragraph 6 – [2] I’m Every Woman FAQ, [5] Ticketmaster, [7] WhichSeats.com

Source: Noah Wire Services

Noah Fact Check Pro

The draft above was created using the information available at the time the story first
emerged. We’ve since applied our fact-checking process to the final narrative, based on the criteria listed
below. The results are intended to help you assess the credibility of the piece and highlight any areas that may
warrant further investigation.

Freshness check

Score:
10

Notes:
The narrative is fresh, with the earliest known publication date being 27 October 2025. The report is based on a press release, which typically warrants a high freshness score. No discrepancies in figures, dates, or quotes were found. The content has not been republished across low-quality sites or clickbait networks. No similar narratives appeared more than 7 days earlier. The article includes updated data and original material, justifying a higher freshness score.

Quotes check

Score:
10

Notes:
The direct quote from Alexandra Burke, “Almost seventeen years ago, with my late mother by my side, I sang Chaka for my very first non-televised audition for The X Factor,” appears in the earliest known publication dated 27 October 2025. No identical quotes were found in earlier material, indicating potentially original or exclusive content.

Source reliability

Score:
10

Notes:
The narrative originates from reputable organisations, including Whatsonstage and London Theatre Direct, enhancing its reliability. The report is based on a press release, which typically warrants a high reliability score.

Plausability check

Score:
10

Notes:
The claims about Alexandra Burke starring as Chaka Khan in “I’m Every Woman: The Musical” are plausible and corroborated by multiple reputable sources. The narrative includes specific factual anchors, such as dates, names, and institutions, supporting its credibility. The language and tone are consistent with the region and topic, and the structure is focused on the main claim without excessive or off-topic detail.

Overall assessment

Verdict (FAIL, OPEN, PASS): PASS

Confidence (LOW, MEDIUM, HIGH): HIGH

Summary:
The narrative passes all checks with high scores, indicating it is fresh, original, and sourced from reputable organisations. The claims are plausible and supported by specific factual anchors, with no signs of disinformation.

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