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Former Skins star Megan Prescott opens up about her journey from child acting to sex work and her advocacy for recognition, safety, and autonomy within the adult entertainment industry.
For many who grew up in the 2000s, the British television drama Skins was a defining show, known for its unflinching portrayal of adolescent experimentation with drugs, sex, and partying. The series propelled its young cast to fame but also sparked serious conversations about the welfare of its actors. Megan Prescott, who joined the show at 16 alongside her twin sister Kathryn, has recently opened up about her journey from Skins to the adult entertainment industry, revealing how the pressures and experiences from her early acting role influenced her path.
Prescott, now 34, reflects candidly on the lack of protection many young actors felt on the Skins set, a sentiment echoed by several of her former co-stars. Despite the challenges, she acknowledges the pivotal role the show played in her career, describing it as a “stepping stone” that unlocked opportunities she might not otherwise have had. Yet, financial instability remained a constant after Skins, as she struggled to find steady acting work. This precariousness led her to work as a stripper at 22 and eventually to create explicit content on the subscription platform OnlyFans.
The transition into sex work, Prescott explains, provided her with an unprecedented level of control absent in her acting career. “With OnlyFans, I can choose what I want to do. I never felt pressured to do any more than I had to,” she told the Daily Mail. This autonomy extended beyond just the creative process; it allowed her to set boundaries and understand her own comfort levels in ways she hadn’t previously. Prescott also emphasised the financial benefits, noting that stripping could earn her more in two shifts than a month’s work as a security guard, and that OnlyFans became a lifeline during periods of financial hardship, particularly during the pandemic when she was stuck on a zero-hour contract at a distillery.
Prescott draws compelling parallels between acting and sex work, describing both as forms of performative labour often misunderstood by society. She pointed out that actors frequently partake in nude or sex scenes, yet the stigma around sex work remains disproportionately harsh. Advocating for decriminalisation, she argues that recognising sex work as legitimate labour is integral to advancing women’s rights and bodily autonomy. Through her personal experiences, she hopes to dismantle preconceived notions and stigma surrounding the adult industry.
This mission is central to Prescott’s new one-woman show, Really Good Exposure, which is semi-autobiographical and explores the life of a child star contemplating a move into adult entertainment. The show, which had an acclaimed run at the Edinburgh Fringe and is debuting in London, is designed to resonate beyond those familiar with the sex industry, addressing broader themes of exploitation, autonomy, and resilience that many women, particularly millennials, relate to. Prescott described the production as “Slumdog Millionaire but with a pornstar,” blending her own life’s highs and lows with popular cultural narratives from the 1990s and early 2000s.
Beyond performance, Prescott is an outspoken advocate for sex worker safety and rights. She chairs the board of Ugly Mugs, a national organisation dedicated to improving access to justice and protection for sex workers. Highlighting systemic failures, she criticised how many organisations focus solely on helping sex workers exit the industry rather than ensuring their safety while working, underscoring the pervasive stigma that impedes meaningful support.
Despite her immersion in the adult industry, Prescott remains committed to her acting career and refuses to see her work on OnlyFans as a barrier to future roles. She describes the platform as “the most freeing thing I’ve ever done,” embracing the control it affords over her image and labour. Her experience reflects a broader debate about the intersections of fame, creative work, and personal agency in an industry often characterised by instability and exploitation.
Megan Prescott’s journey underscores the complex realities faced by many former child actors and performers navigating economic uncertainty and societal expectations. By sharing her story through both activism and art, she challenges conventional narratives around sex work and advocates for a more nuanced understanding of autonomy, creative control, and respect for varied forms of labour.
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Source: Noah Wire Services
Noah Fact Check Pro
The draft above was created using the information available at the time the story first
emerged. We’ve since applied our fact-checking process to the final narrative, based on the criteria listed
below. The results are intended to help you assess the credibility of the piece and highlight any areas that may
warrant further investigation.
Freshness check
Score:
8
Notes:
The narrative appears to be original, with no evidence of prior publication. The Daily Mail article is dated 1 September 2025, and no substantially similar content was found in recent searches. However, the Daily Mail’s reputation for sensationalism may affect the perceived freshness. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Megan_Prescott?utm_source=openai))
Quotes check
Score:
9
Notes:
The quotes attributed to Megan Prescott in the article do not appear in earlier material, suggesting they are original. No identical quotes were found in prior publications.
Source reliability
Score:
5
Notes:
The narrative originates from the Daily Mail, a reputable organisation. However, the Daily Mail is known for sensationalist reporting, which may affect the reliability of the content.
Plausability check
Score:
8
Notes:
The claims made in the narrative are plausible and align with known information about Megan Prescott’s career and personal life. The article provides specific details, such as Prescott’s age and her transition into adult entertainment, which are consistent with other sources. ([en.wikipedia.org](https://en.wikipedia.org/wiki/Megan_Prescott?utm_source=openai))
Overall assessment
Verdict (FAIL, OPEN, PASS): OPEN
Confidence (LOW, MEDIUM, HIGH): MEDIUM
Summary:
The narrative appears to be original and plausible, with no evidence of prior publication or significant discrepancies. However, the Daily Mail’s reputation for sensationalism and the lack of corroboration from other reputable outlets warrant further scrutiny. The source’s reliability is moderate, and the plausibility of the claims is reasonable. Therefore, the overall assessment is ‘OPEN’ with medium confidence.
