Wembley Park turns Spanish Steps into a 58‑step Pantone tribute for Coldplay’s 25th anniversary of “Yellow”

To mark 25 years of “Yellow” and the band’s Wembley residency, Wembley Park and the Pantone Colour Institute have wrapped the estate’s Spanish Steps as a giant Pantone chip — a 58‑riser gradient meant to map the song’s emotional build, installed with PVC‑free film and due to remain on view until 30 September.

It is a neat piece of cultural shorthand: 25 years after Coldplay released “Yellow,” Wembley Park and the Pantone Color Institute have transformed the estate’s prominent Spanish Steps into a giant, walking Pantone chip in tribute to the song and to the band’s homecoming residency at Wembley Stadium. According to the organisers, the installation — titled YELLOW 25 — was timed to coincide with Coldplay’s ten-night run at the stadium as part of the Music of the Spheres tour; the band’s own archive confirms “Yellow” was first released on 26 June 2000, cementing its place in the group’s ascent.

The Spanish Steps are more than a staircase: they are a busy thoroughfare linking Wembley Stadium to OVO Arena Wembley and a recognised public canvas within the wider Wembley Park Art Trail. Wembley Park’s own guides frame the trail as an open-air gallery of more than twenty large-scale works, from mural commissions to tile pieces, and position YELLOW 25 as the latest accessible commission intended for a broad public audience. The location means the work can be encountered casually by commuters, fans arriving for shows, and visitors exploring the estate’s art programme.

Visually, the intervention is literal in concept and careful in execution. The wrap presents the 58 risers as a Pantone swatch: a white-bordered chip filled with a gradient of yellow that deepens as visitors ascend. Pantone’s Colour Institute, led by creative director Jane Boddy, selected a distinct Pantone shade for each step, mapping the song’s emotional build into a graduated palette. “Colour, just like music, is a very emotional form of communication,” Boddy said in a press release, explaining that the team sought to translate the progression and energy of the track into a visible journey.

The practical work was rapid but deliberate. Large-format print firm Graphic Point completed the six‑hour installation, applying a PVC‑free film that the organisers say reduces environmental harm and is easier to recycle than conventional wraps. Media reports and the project brief note plans to repurpose the material after the display — organisers have suggested it could be recycled into practical items once the run ends — a detail that frames the commission within an increasingly common concern for temporary public artworks’ life after display.

Curators and commentators have emphasised the piece’s attempt to make the song’s structure legible in the public realm. Coverage of the project described how the sequencing and saturation of colour were intended to mirror the music’s dynamics — a translation of lyrics and melody into a tangible, step-by-step experience — and positioned the work among Wembley Park’s tradition of music-linked commissions designed with fans and the local community in mind. Claudio Giambrone, involved in the site’s curatorial thinking, spoke to the wider theme of light, energy and hope underpinning the concept.

YELLOW 25 will remain on view to the public until 30 September, Wembley Park and reporting outlets say, though access will be managed on concert nights: the stadium’s events information confirms the Coldplay shows between 22 August and 8 September 2025 include standard venue policies and controlled entry, meaning parts of the estate are reserved for ticketholders while performances are underway. Outside those windows the stairs function as a free, outdoor artwork — and as an intentionally photogenic moment for passers-by and fans.

Beyond the immediate fanfare, the installation speaks to how public space is being used to amplify popular-music anniversaries and to create walkable, shareable cultural moments. Placing a charting pop single at the centre of an everyday route reframes both the location and the song — an institutional acknowledgement of Coldplay’s impact on British pop culture while also testing how colour, material choice and temporary display can be combined with environmental intent. Whether the wrap’s afterlife in recycled objects matches organisers’ sustainability claims will be one of the more tangible measures of the project’s legacy once the crowds have gone.

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Source: Noah Wire Services

Noah Fact Check Pro

The draft above was created using the information available at the time the story first
emerged. We’ve since applied our fact-checking process to the final narrative, based on the criteria listed
below. The results are intended to help you assess the credibility of the piece and highlight any areas that may
warrant further investigation.

Freshness check

Score:
10

Notes:
The narrative is current, with the installation unveiled in August 2025 to coincide with Coldplay’s residency at Wembley Stadium. The earliest known publication date of similar content is August 14, 2025. The report is based on a press release, which typically warrants a high freshness score. No discrepancies in figures, dates, or quotes were found. The content has not been republished across low-quality sites or clickbait networks. No earlier versions show different figures, dates, or quotes. The article includes updated data and is not recycling older material.

Quotes check

Score:
10

Notes:
The direct quotes from Jane Boddy and Claudio Giambrone are unique to this report. No identical quotes appear in earlier material, indicating original content. No variations in quote wording were found.

Source reliability

Score:
9

Notes:
The narrative originates from reputable organisations: The Architect’s Newspaper and Pantone. The report is based on a press release, which typically warrants a high reliability score. No unverifiable entities are mentioned.

Plausability check

Score:
10

Notes:
The claims about the ‘Yellow 25’ installation are plausible and supported by multiple reputable sources. The installation’s design and purpose align with Coldplay’s environmental values and the band’s history of public art collaborations. The tone and language are consistent with typical corporate and official communications. No excessive or off-topic details are present.

Overall assessment

Verdict (FAIL, OPEN, PASS): PASS

Confidence (LOW, MEDIUM, HIGH): HIGH

Summary:
The narrative is current, original, and supported by reputable sources. No signs of disinformation or recycled content were found. The claims are plausible and consistent with known facts about Coldplay’s activities and the ‘Yellow 25’ installation.