{"id":19926,"date":"2025-12-16T14:53:00","date_gmt":"2025-12-16T14:53:00","guid":{"rendered":"https:\/\/sawahsolutions.com\/alpha\/uk-music-urges-government-to-prioritise-licensing-over-ai-copyright-exceptions\/"},"modified":"2025-12-16T15:17:03","modified_gmt":"2025-12-16T15:17:03","slug":"uk-music-urges-government-to-prioritise-licensing-over-ai-copyright-exceptions","status":"publish","type":"post","link":"https:\/\/sawahsolutions.com\/alpha\/uk-music-urges-government-to-prioritise-licensing-over-ai-copyright-exceptions\/","title":{"rendered":"UK Music urges government to prioritise licensing over AI copyright exceptions"},"content":{"rendered":"<p><\/p>\n<div>\n<p>UK Music&#8217;s chief executive Tom Kiehl calls for a shift towards robust licensing and transparency measures to protect creators&#8217; rights amid government consultations on AI copyright frameworks.<\/p>\n<\/div>\n<div>\n<p>Tom Kiehl, chief executive of UK Music, has welcomed the findings set out in the UK Government\u2019s Copyright and AI Statement of Progress, saying the consultation vindicates the position taken by the creative sector on how artificial intelligence should interact with copyright-protected works. According to the original report, only 3% of some 11,500 respondents backed the government\u2019s preferred text and data mining (TDM) exception, while 95% supported licensing of training data through stronger or retained copyright protections , a result UK Music says requires the Government to abandon what it describes as an \u201canti-creator, anti-business\u201d proposal. <sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-welcomes-findings-from-governments-copyright-ai-statement-of-progress\/\">[1]<\/a><\/sup><\/p>\n<p>Kiehl called on ministers to shift from the TDM proposal to a licensing-centred approach and to establish a \u201crobust regulatory framework for AI firms\u2019 interaction with copyright protected works, requiring transparency, labelling and a requirement for AI companies to comply with UK copyright laws regardless of where models are trained, in return for UK market access.\u201d The company\u2019s statement framed those measures as necessary to back British music and the wider creative industries. <sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-welcomes-findings-from-governments-copyright-ai-statement-of-progress\/\">[1]<\/a><\/sup><\/p>\n<p>The response builds on sustained warnings from UK Music that unfettered use of artists\u2019 work for AI training risks serious harm to creators and the sector\u2019s economic ecosystem. Earlier in 2025 Kiehl described plans that would permit tech firms to train models on music without consent as \u201ccatastrophic\u201d for the creative industry, arguing such measures would enable exploitation of artists without compensation. Industry data and commentary cited by UK Music point to job and pipeline risks should protections not be put in place. <sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-warns-of-catastrophic-impact-of-allowing-tech-firms-to-steal-music-creators-work\/\">[3]<\/a><\/sup><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.nme.com\/news\/music\/uk-music-chief-calls-on-rishi-sunak-to-introduce-ai-protection-for-creatives-3542651\">[5]<\/a><\/sup><\/p>\n<p>Kiehl has repeatedly urged stronger safeguards in recent months. In January he pressed the Government to rethink proposals that offered limited transparency in exchange for a TDM exception, warning that copyright exceptions could undermine creators\u2019 rights and the integrity of the music industry. Speaking to the House of Lords\u2019 Communications and Digital Committee in November, he went further, warning that some activities by AI firms amounted to \u201cpure theft\u201d and citing examples of AI systems producing verbatim copies of lyrics from artists such as Gloria Gaynor and Louis Armstrong. <sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-urges-government-to-rethink-ai-proposals\/\">[4]<\/a><\/sup><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/this-is-pure-theft-uk-music-chiefs-ai-warning-to-house-of-lords-inquiry\/\">[2]<\/a><\/sup><\/p>\n<p>The position echoes broader industry concerns that any exception permitting the use of copyrighted works without permission risks hollowing out the revenue streams and bargaining power of songwriters, performers and rights holders. According to the original report and UK Music\u2019s commentary, a market-access model that conditions entry on compliance with UK copyright law, plus mandatory labelling and transparency, would aim to balance innovation with rights protection. <sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-welcomes-findings-from-governments-copyright-ai-statement-of-progress\/\">[1]<\/a><\/sup><\/p>\n<p>UK Music\u2019s recent public interventions reflect Kiehl\u2019s longer track record on music-sector advocacy. Since joining the organisation in 2012 and becoming chief executive after serving as Director of Public Affairs and Deputy CEO, he has led campaigns on live music measures and on the sector\u2019s response to generative AI, while pressing for greater diversity and protections for venues and creators. Industry representatives say that history underpins UK Music\u2019s insistence on binding safeguards rather than voluntary or one-off commitments from AI firms. <sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-appoints-tom-kiehl-as-new-chief-executive\/\">[6]<\/a><\/sup><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-outlines-industry-concerns-over-artificial-intelligence\/\">[7]<\/a><\/sup><\/p>\n<p>The company\u2019s call places pressure on ministers as they prepare a fuller report and an economic impact assessment on copyright and AI. Government figures released alongside the Statement of Progress set out next steps, but UK Music\u2019s stance makes clear that the creative sector expects any final policy to enshrine licensing, transparency and enforceable compliance for AI operators seeking access to the UK market. Whether the Government will revise its approach in light of the consultation results remains the key question for artists, rights holders and technology companies. <sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-welcomes-findings-from-governments-copyright-ai-statement-of-progress\/\">[1]<\/a><\/sup><\/p>\n<p>##Reference Map:<\/p>\n<ul>\n<li><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-welcomes-findings-from-governments-copyright-ai-statement-of-progress\/\">[1]<\/a><\/sup> (UK Music) &#8211; Paragraph 1, Paragraph 2, Paragraph 5, Paragraph 8<\/li>\n<li><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/this-is-pure-theft-uk-music-chiefs-ai-warning-to-house-of-lords-inquiry\/\">[2]<\/a><\/sup> (UK Music) &#8211; Paragraph 4<\/li>\n<li><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-warns-of-catastrophic-impact-of-allowing-tech-firms-to-steal-music-creators-work\/\">[3]<\/a><\/sup> (UK Music) &#8211; Paragraph 3<\/li>\n<li><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-urges-government-to-rethink-ai-proposals\/\">[4]<\/a><\/sup> (UK Music) &#8211; Paragraph 4<\/li>\n<li><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.nme.com\/news\/music\/uk-music-chief-calls-on-rishi-sunak-to-introduce-ai-protection-for-creatives-3542651\">[5]<\/a><\/sup> (NME) &#8211; Paragraph 3<\/li>\n<li><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-appoints-tom-kiehl-as-new-chief-executive\/\">[6]<\/a><\/sup> (UK Music) &#8211; Paragraph 6<\/li>\n<li><sup><a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.ukmusic.org\/news\/uk-music-chief-outlines-industry-concerns-over-artificial-intelligence\/\">[7]<\/a><\/sup> (UK Music \/ Musicians&#8217; Union interview) &#8211; Paragraph 6<\/li>\n<\/ul>\n<p>Source: <a target=\"_blank\" rel=\"nofollow noopener noreferrer\" href=\"https:\/\/www.noahwire.com\">Noah Wire Services<\/a><\/p>\n<\/p><\/div>\n<div>\n<h3 class=\"mt-0\">Noah Fact Check Pro<\/h3>\n<p class=\"text-sm\">The draft above was created using the information available at the time the story first<br \/>\n        emerged. We\u2019ve since applied our fact-checking process to the final narrative, based on the criteria listed<br \/>\n        below. The results are intended to help you assess the credibility of the piece and highlight any areas that may<br \/>\n        warrant further investigation.<\/p>\n<h3 class=\"mt-3 mb-1 font-semibold text-base\">Freshness check<\/h3>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Score:<br \/>\n        <\/span>10<\/p>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Notes:<br \/>\n        <\/span>The narrative is current, dated 16 December 2025, and pertains to recent developments in UK copyright and AI policy. No evidence of recycled or outdated content was found. The report is based on a recent government statement, indicating high freshness. No discrepancies in figures, dates, or quotes were identified. No earlier versions of this narrative were found. The article includes updated data and new material, justifying a high freshness score.<\/p>\n<h3 class=\"mt-3 mb-1 font-semibold text-base\">Quotes check<\/h3>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Score:<br \/>\n        <\/span>10<\/p>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Notes:<br \/>\n        <\/span>The direct quotes from Tom Kiehl are unique to this report, with no earlier usage found online. This suggests the content is original or exclusive.<\/p>\n<h3 class=\"mt-3 mb-1 font-semibold text-base\">Source reliability<\/h3>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Score:<br \/>\n        <\/span>10<\/p>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Notes:<br \/>\n        <\/span>The narrative originates from UK Music, a reputable organisation representing the UK music industry. This enhances the credibility of the information presented.<\/p>\n<h3 class=\"mt-3 mb-1 font-semibold text-base\">Plausability check<\/h3>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Score:<br \/>\n        <\/span>10<\/p>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Notes:<br \/>\n    <\/span>The claims made align with known industry concerns regarding AI&#8217;s impact on copyright. The language and tone are consistent with official communications from UK Music. No inconsistencies or suspicious elements were identified.<\/p>\n<h3 class=\"mt-3 mb-1 font-semibold text-base\">Overall assessment<\/h3>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Verdict<\/span> (FAIL, OPEN, PASS): <span class=\"font-bold\">PASS<\/span><\/p>\n<p class=\"text-sm pt-0\"><span class=\"font-bold\">Confidence<\/span> (LOW, MEDIUM, HIGH): <span class=\"font-bold\">HIGH<\/span><\/p>\n<p class=\"text-sm mb-3 pt-0\"><span class=\"font-bold\">Summary:<br \/>\n        <\/span>The narrative is current, original, and originates from a reputable source. The claims are plausible and consistent with known industry concerns. No issues were identified in the freshness, quotes, source reliability, or plausibility checks.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>UK Music&#8217;s chief executive Tom Kiehl calls for a shift towards robust licensing and transparency measures to protect creators&#8217; rights amid government consultations on AI copyright frameworks. Tom Kiehl, chief executive of UK Music, has welcomed the findings set out in the UK Government\u2019s Copyright and AI Statement of Progress, saying the consultation vindicates the<\/p>\n","protected":false},"author":1,"featured_media":19927,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":{"0":"post-19926","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london-news"},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/posts\/19926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/comments?post=19926"}],"version-history":[{"count":1,"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/posts\/19926\/revisions"}],"predecessor-version":[{"id":19928,"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/posts\/19926\/revisions\/19928"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/media\/19927"}],"wp:attachment":[{"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/media?parent=19926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/categories?post=19926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sawahsolutions.com\/alpha\/wp-json\/wp\/v2\/tags?post=19926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}